4227. Speedy Gonzales - Jollibee

Speedy Gonzales (commonly shortened to just Speedy) is an animated caricature of a mouse in the Warner Brothers Looney Tunes and Merrie Melodies series of cartoons. He is portrayed as "The Fastest Mouse in all Mexico" with his major traits being the ability to run extremely fast and speaking with an exaggerated Mexican accent. He usually wears an oversized yellow sombrero, white shirt and trousers, and a red kerchief, similar to that of a reveler in the San Fermin festival. To date there have been 46 cartoons made either starring or featuring this character. Speedy debuted in 1953's Cat-Tails for Two, directed by Robert McKimson. This early Speedy was a meaner, skinnier, rattier-looking creation with a sizable gold front tooth. The cartoon featured him outwitting a smart-and-stupid pair of cats, George and Benny (parodies of George and Lenny), aboard a ship. Later on, this original version of Speedy is used as an unnamed background character a couple of times. Though he was created by McKimson, the majority of the cartoons with him were directed by Friz Freleng. According to William Anthony Nericcio, the name derives from a joke about a Mexican man nicknamed "Speedy" either because of his premature ejaculation or quick copulation, though the name of the character was not intended to be derogatory. It would be two years before Friz Freleng and animator Hawley Pratt redesigned the character into his modern incarnation for the 1955 Freleng short, Speedy Gonzales. The cartoon features Sylvester the Cat menacing a group of rats while guarding a cheese factory at the Mexican border. The rats call in the plucky, excessively energetic Speedy to save them, and amid cries of "¡Ándele! ¡Ándele! ¡Arriba! ¡Arriba! ¡Epa! ¡Epa! ¡Epa! Yeehaw!" (Spanish for "Go on! Go on! Up! Up!", although "Ándele arriba" may have been intended as meaning "hurry up") courtesy of Mel Blanc, Sylvester soon gets his comeuppance. The cartoon won the 1955 Academy Award for Best Short Subject (Cartoons). While Speedy's last name was given as Gonzalez in Cat-Tails (on a printed business card shown in the cartoon), it was spelled with an 's' from Speedy Gonzales onward. Today, the earlier spelling is occasionally used by accident. Freleng and McKimson soon set Sylvester up as Speedy's regular nemesis in a series of cartoons, much in the same way Chuck Jones had paired Wile E. Coyote and Road Runner in his Road Runner cartoons. Sylvester (often called "El Gringo Pussygato" by Speedy) is constantly outsmarted and outrun by the Mouse, causing the cat to suffer all manner of pain and humiliation from mousetraps to accidentally consuming large amounts of hot sauce. Other cartoons pair the mouse with his cousin, Slowpoke Rodriguez, the "slowest Mouse in all Mexico." Slowpoke regularly gets into all sorts of trouble that often require Speedy to save him—but one cat in Mexicali Schmoes says that as if to compensate for his slowness, "he pack a gun!"[2] In the mid 1960s, Speedy's main nemesis became Daffy Duck.

4224. Bugs Bunny Christmas - Jollibee

4171. Porky Pig - Jollibee

4005. Road Runner Vintage

Road Runner is the fastest bird on Earth, and he is always one step ahead of the ravenous Wile E. Coyote. The only thing Road Runner ever says is "Meep meep!" Road Runner always has a plan to get Wile E. Coyote off of his back. He also stars in his and Wile E's own shorts. He always gets the upper hand due to his fast speed and the disfuntional Acme products that Wile E. always order. For instance, in A Zipline in the Sand Road Runner uses speed to break away from Wile E.'s wrath. Silent But Deadly was the first time Road Runner has fought Wile E. Coyote. This is indicative of Road Runners heavily altered personality as he is now not only much more aware of the Coyotes schemes but activley, intentionally and at times maliciously attempts to foil them at the expense of the coyote. This is a relativly large change in personality as in the past the Road Runner has never attempted to hurt the coyote and has almost always been shown to be ignorent to his attacks leaving bad luck and the coyote's own incompetence to foil him. Road Runner must be a expert on A.C.M.E technology to be able to foil Wile E. Coyote's plans.

3985. Taz the rockstar

The Tasmanian Devil, often referred to as Taz, is an animated cartoon character featured in the Warner Bros. Looney Tunes series of cartoons. The character appeared in only five shorts before Warner Bros. Cartoons closed down in 1964, but marketing and television appearances later propelled the character to new popularity in the 1990s. As the youngest of the Looney Tunes, the Tasmanian Devil, or 'Taz' as he has come to be known, is generally portrayed as a dim-witted carnivore with a notoriously short temper and little patience. He will eat anything and everything, with an appetite that seems to know no bounds. He is best known for his speech consisting mostly of grunts, growls and rasps, and his ability to spin and bite through just about anything. In 1991, Taz got his own show, Taz-Mania, which ran for three seasons, in which he was the protagonist. Robert McKimson based the character on the real-life Tasmanian Devil, or more specifically its carnivorous nature and voracious appetite. Owen and Pemberton suggest that the character of the Tasmanian Devil was inspired by Errol Flynn.[1] The most noticeable resemblance between the Australian marsupial and McKimson's creation is their ravenous appetites and crazed behavior. Although the bipedal Tasmanian Devil's appearance does not resemble its marsupial inspiration, it contains multilayered references to other "devils": he has horn-shaped fur on his head (similar to the Devil's appearance) and whirls about like a dust devil (similar in appearance to a tornado) which sounds like several motors whirring in unison. Taz is constantly voracious. His efforts to find more food (animate or inanimate) are always a central plot device of his cartoons. In fact, this appetite serves as the impetus for McKimson's Devil May Hare (first released on June 19, 1954). In the short, Taz stalks Bugs Bunny, but due to his dimwittedness and inability to frame complete sentences, he serves as little more than a nuisance. Bugs eventually gets rid of him in the most logical way possible: matching him up with an equally insatiable female Tasmanian Devil. The character's speech, peppered with growls, screeches, and raspberries, is provided by Mel Blanc. Only occasionally would Taz actually speak, usually to utter some incongruous punchline, (e.g. "What for you bury me in the cold, cold ground?") and yet the character is capable of writing and reading. A running gag is that when Bugs Bunny hears of the approach of "Taz" and looks him up in an encyclopedia and starts reading off a list of animals that "Taz" eats; Bugs finds "rabbits" not listed until "Taz" either points out that "rabbits" are listed or writes rabbits on the list. After the short entered theaters, producer Eddie Selzer, head of the Warner Bros. animation studio, ordered McKimson to shelve the character, feeling it was too violent for children and parents disliked this.[2] After a time with no new Taz shorts, studio head Jack Warner asked what had happened to the character. Warner saved Taz's career when he told Selzer that he had received "boxes and boxes" of letters from people who liked the character and wanted to see more of him.

3973. Bugs Bunny

Bugs Bunny is an American animated character created in 1938 at Leon Schlesinger Productions, later Warner Bros. Cartoons. Bugs is an anthropomorphic gray hare or rabbit and is famous for his flippant, insouciant personality, a pronounced New York accent, and his portrayal as a trickster. He has primarily appeared in animated cartoons, most notably the Looney Tunes and Merrie Melodies series of theatrical short films. His popularity there led to his becoming a corporate mascot of the Warner Bros. company. Bugs has appeared in more films than any other cartoon character and is the ninth most portrayed film personality in the world. According to Bugs Bunny: 50 Years and Only One Grey Hare, Bugs was born on July 27, 1940 in Brooklyn, New York in a warren under Ebbets Field, home of the Brooklyn Dodgers. In reality, he was created by many animators and staff, including Tex Avery, who directed A Wild Hare, Bugs' debut role, and Robert McKimson, who created the definitive "Bugs Bunny" character design. According to Mel Blanc, the character's original voice actor, Bugs has a Flatbush accent. Bugs has had numerous catchphrases, the most prominent being a casual "Eh... What's up, doc?", usually said while chewing a carrot. A Wild Hare, directed by Tex Avery and released on July 27, 1940, is the first cartoon where both Elmer Fudd and Bugs are shown in their fully developed forms as hunter and tormentor, respectively. In this cartoon Mel Blanc first uses what would become Bugs' standard voice; this cartoon also marks the first time that Bugs uses his catchphrase, "What's up, Doc?" Animation historian Joe Adamson counts A Wild Hare as the first "official" Bugs Bunny short. The short was a huge success in theaters and was nominated for an Academy Award for Best Animated Short Film. Bugs's second appearance, in Jones' 1941 short Elmer's Pet Rabbit, introduces the audience to the name Bugs Bunny, which until then had only been used among the Termite Terrace employees. It was also the first short where he received billing under his now-famous name, but the card, "featuring Bugs Bunny", was just slapped on the end of the completed short's opening titles when A Wild Hare proved an unexpected success. However, Bugs' voice in this cartoon is noticibly different, and his design was slightly altered as well. For the next several cartoons produced afterwards, Bugs' original design from A Wild Hare would be re-used. Mel Blanc would also re-use the voice he had created in A Wild Hare for Bugs' subsequent appearances. Bugs Bunny is characterized as being clever and capable of outsmarting anyone who antagonizes him, including Elmer Fudd, Yosemite Sam, Willoughby the Dog, Marvin the Martian, Beaky Buzzard, Daffy Duck, Porky Pig, Tasmanian Devil, Cecil Turtle, Witch Hazel, Rocky and Mugsy, Wile E. Coyote, the Crusher, Gremlin, Count Blood Count and a host of others. Bugs almost always wins these conflicts, a plot pattern which recurs in Looney Tunes films directed by Chuck Jones. Concerned that viewers would lose sympathy for an aggressive protagonist who always won, Jones arranged for Bugs to be bullied, cheated, or threatened by the antagonists while minding his own business, justifying his subsequent antics as retaliation or self-defense. He's also been known to break the fourth wall by "communicating" with the audience, either by explaining the situation (e.g. "Be with you in a minute, folks!"), describing someone to the audience (e.g. "Feisty, ain't they?"), clueing in on the story (e.g. "That happens to him all during the picture, folks."), explaining that one of his antagonists' actions have pushed him to the breaking point ("Of course you know, this means war."), etc. Bugs will usually try to placate the antagonist and avoid conflict, but when an antagonist pushes him too far, Bugs may address the audience and invoke his catchphrase "Of course you realize this means war!" before he retaliates, and the retaliation will be devastating. This line was taken from Groucho Marx and others in the 1933 film Duck Soup and was also used in the 1935 Marx film A Night at the Opera.[20] Bugs would pay homage to Groucho in other ways, such as occasionally adopting his stooped walk or leering eyebrow-raising (in Hair-Raising Hare, for example) or sometimes with a direct impersonation (as in Slick Hare). Other directors, such as Friz Freleng, characterized Bugs as altruistic. When Bugs meets other successful characters (such as Cecil Turtle in Tortoise Beats Hare, or, in World War II, the Gremlin of Falling Hare), his overconfidence becomes a disadvantage. Most of Bugs' antagonists are extremely dim-witted, and Bugs is easily able to outwit and torment them, though on occasion they will manage to get the best of Bugs. Daffy Duck, who is arguably more intelligent but less clever, is unaffected by Bugs' usual schemes, which usually results in the two trying to outsmart the other with Bugs always triumphing in the end. However, there are only three antagonists that successfully defeated Bugs in the end of the cartoon, such as the Gremlin from Falling Hare, the unnamed mouse from Rhapsody Rabbit, and the fly from Baton Bunny. During the 1940s, Bugs starts off immature and wild, but starting in the 1950s his personality matured and his attitude was more refined. Though often shown as highly clever, Bugs is never actually malicious, and only acts as such in self-defense against his aggressors; the only two cartoons where Bugs ever served as an antagonist were Buckaroo Bugs and Duck Amuck; the latter cartoon depicts him as far more sadistic than usual, as he becomes the animator and abuses his newfound divine powers to torture Daffy. Bugs Bunny's nonchalant carrot-chewing standing position, as explained by Chuck Jones, Friz Freleng, and Bob Clampett, originated in a scene in the film It Happened One Night, in which Clark Gable's character leans against a fence, eating carrots rapidly and talking with his mouth full to Claudette Colbert's character. This scene was well known while the film was popular, and viewers at the time likely recognized Bugs Bunny's behavior as satire.[21] The carrot-chewing scenes are generally followed by Bugs Bunny's most well-known catchphrase, "What's up, Doc?", which was written by director Tex Avery for his first Bugs Bunny short, 1940s A Wild Hare. Avery explained later that it was a common expression in his native Texas and that he did not think much of the phrase. When the short was first screened in theaters, the "What's up, Doc?" scene generated a tremendously positive audience reaction.[22] As a result, the scene became a recurring element in subsequent films and cartoons. The phrase was sometimes modified for a situation. For example, Bugs says "What's up, dogs?" to the antagonists in A Hare Grows in Manhattan, "What's up, Duke?" to the knight in Knight-mare Hare and "What's up, prune-face?" to the aged Elmer in The Old Grey Hare. He might also greet Daffy with "What's up, Duck?" He used one variation, "What's all the hub-bub, bub?" only once, in Falling Hare. Another variation is used in Looney Tunes: Back In Action when he greets a lightsaber-wielding Marvin the Martian saying "What's up, Darth?" Several Chuck Jones shorts in the late 1940s and 1950s depict Bugs travelling via cross-country (and, in some cases, intercontinental) tunnel-digging, ending up in places as varied as Mexico (Bully for Bugs, 1953), the Himalayas (The Abominable Snow Rabbit, 1960) and Antarctica (Frigid Hare, 1949) all because he "shoulda taken that left toin at Albukoikee." He first utters that phrase in Herr Meets Hare (1945), when he emerges in the Black Forest, a cartoon seldom seen today due to its blatantly topical subject matter. When Hermann Göring says to Bugs, "There is no Las Vegas in 'Chermany'" and takes a potshot at Bugs, Bugs dives into his hole and says, "Joimany! Yipe!", as Bugs realizes he's behind enemy lines. The confused response to his "left toin" comment also followed a pattern. For example, when he tunnels into Scotland in 1948's My Bunny Lies over the Sea, while thinking he's heading for the La Brea Tar Pits in Los Angeles, California, it provides another chance for an ethnic stereotype: "Therrre's no La Brrrea Tarrr Pits in Scotland!" (to which Bugs responds, "Uh...what's up, Mac-doc?"). A couple of late-1950s shorts of this ilk also featured Daffy Duck travelling with Bugs ("Since when is Pismo Beach inside a cave?!"). Bugs Bunny has some similarities to figures from mythology and folklore, such as Br'er Rabbit, Nanabozho, or Anansi, and might be seen as a modern trickster (for example, he repeatedly uses cross-dressing mischievously). Unlike most cartoon characters, however, Bugs Bunny is rarely defeated in his own games of trickery. One exception to this is the short Hare Brush, in which Elmer Fudd ultimately carries the day at the end; however, critics note that in this short, Elmer and Bugs assume each other's personalities—through mental illness and hypnosis, respectively—and it is only by becoming Bugs that Elmer can win. However, Bugs was beaten at his own game. In the short Duck Amuck he torments Daffy Duck as the unseen animator, ending with his line, "Ain't I a stinker?" Bugs feels the same wrath of an unseen animator in the short Rabbit Rampage where he is in turn tormented by Elmer Fudd. At the end of the clip Elmer gleefully exclaims, 'Well, I finally got even with that scwewy wabbit!" Although it was usually Porky Pig who brought the WB cartoons to a close with his stuttering, "That's all, folks!", Bugs would occasionally appear, bursting through a drum just as Porky did, but munching a carrot and saying in his Bronx-Brooklyn accent, "And dat's de end!" The name "Bugs" or "Bugsy" as an old-fashioned nickname means "crazy" (or "loopy"). Several famous people from the first half of the twentieth century had that nickname, like famous gangster, Benjamin "Bugsy" Siegel, who disliked the nickname. It is now out of fashion as a nickname, but survives in 1950s–1960s expressions like "you're bugging me", as in "you're driving me crazy". Bugs wears white gloves, which he is rarely seen without, although he may remove one and use it for slapping an opponent to predicate a duel. Another glove-less example is the episode Long-Haired Hare, where Bugs pretends to be the famed conductor Leopold Stokowski and instructs opera star "Giovanni Jones" to sing and to hold a high note. As Giovanni Jones is turning red with the strain, Bugs slips his left hand out of its glove, leaving the glove hovering in the air in order to command Jones to continue to hold the high note. Bugs then nips down to the mail drop to order, and then to receive, a pair of ear defenders. Bugs puts on the ear defenders and then zips back into the amphitheater and reinserts his hand into his glove as singer Jones is writhing on the stage, still holding that same high note. Bugs Bunny is also a master of disguise: he can wear any disguise that he wants to confuse his enemies: in Bowery Bugs he uses diverse disguises: fakir, gentleman, woman, baker and finally policeman. This ability of disguise makes Bugs famous because we can recognize him while at the same time realizing that his enemies are stumped. Bugs has a certain preference for the female disguise: Taz, Elmer Fudd, Yosemite Sam were fooled by this sexy bunny (woman) and in Hare Trimmed, Sam discovers the real face of "Granny" (Bugs's disguise) in the church where they attempt to get married. For all the gullible victims of all these disguises, however, for some reason, Daffy Duck and Cecil Turtle are among those who are never fooled. Bugs Bunny may also have some mystical potential. In Knight-mare Hare he was able to return to his bunny form (after being transformed into a donkey) by removing his donkey form as if it were a suit. Merlin of Monroe (the wizard) was unable to do the same thing. Later Bugs Bunny defeated the Count Blood Count in a magical spell duel. However, the story was a dream and Bugs Bunny's victory over Count Blood Count was a result of his intellect, not innate magical power.

3970. Tweety Bird Christmas

Tweety Bird (also known as Tweety Pie or simply Tweety) is a fictional Yellow Canary in the Warner Bros. Looney Tunes and Merrie Melodies series of animated cartoons. The name "Tweety" is a play on words, as it originally meant "sweetie", along with "tweet" being a typical English onomatopoeia for the sounds of birds. His characteristics are based on Red Skelton famous "Mean Widdle Kid". Tweety appeared in 48 cartoons in the Golden Age. Despite the perceptions that people may hold, owing to the long lashes and high pitched voice of Tweety, Tweety is male.[citation needed] This was established several times in the series "Sylvester and Tweety Mysteries". It was also confirmed toward the end of "Snow Business" when Granny exclaimed to Tweety and Sylvester, "Here I am, boys!" On the other hand, a 1951 episode was entitled "Ain't She Tweet". Also, his species is ambiguous; although originally and often portrayed as a young canary, he is also frequently called a rare and valuable "tweety bird" as a plot device, and once called "the only living specimen". Nevertheless, the title song directly states that the bird is a canary. His shape more closely suggests that of a baby bird, which in fact is what he was during his early appearances (although the "baby bird" aspect has been used in a few later cartoons as a plot device). The yellow feathers were added but otherwise he retained the baby-bird shape. In his early appearances in Bob Clampett cartoons, Tweety is a very aggressive character who tries anything to foil his foe, even kicking his enemy when he is down. Tweety was toned down when Friz Freleng started directing the series into a more cutesy bird, and even more when Granny was introduced, however sometimes Tweety still kept his malicious side. One of his most notable "malicious" moments is in the cartoon Birdy and the Beast; when a cat tries to chase Tweety by flying and falls after remembering that cats cannot fly, Tweety says sympathetically, "Awww, the poor kitty cat! He faw down and go (in a loud, tough, masculine voice) BOOM!!", after which he grins mischievously. A similar gag was used in A Tale Of Two Kitties when Tweety, wearing an air raid warden's helmet, suddenly yells out in that same voice: "Turn out those lights!" Also, his first Looney Tunes appearance was in 1950. Bob Clampett created the character that would become Tweety in the 1942 short A Tale of Two Kitties, pitting him against two hungry cats named Babbit and Catstello (based on the famous comedians Abbott and Costello). On the original model sheet, Tweety was named Orson (which was also the name of a bird character from an earlier Clampett cartoon Wacky Blackout). Tweety was originally not a domestic canary, but simply a generic (and wild) baby bird in an outdoors nest - naked (pink), jowly, and also far more aggressive and saucy, as opposed to the later, more well-known version of him as a less hot-tempered (but still somewhat ornery) yellow canary. In the documentary Bugs Bunny:a Superstar, animator Clampett stated, in a sotto voce "aside" to the audience, that Tweety had been based "on my own naked baby picture". Clampett did two more shorts with the "naked genius", as a Jimmy Durante-ish cat once called him in A Gruesome Twosome. The second Tweety short, Birdy and the Beast, finally bestowed the baby bird with his new name. Many of Mel Blanc's characters are known for speech impediments. One of Tweety's most noticeable is that /s/, /k/, and /g/ are changed to /t/, /d/, or (final s) /θ/; for example, "pussy cat" comes out as "putty tat", later rendered "puddy tat", and "sweetie pie" comes out as "tweetie pie", hence his name. He also has trouble with liquid sounds; as with Elmer Fudd, /l/ and /r/ tend to come out as /w/. In Putty Tat Trouble, he begins the cartoon singing a song about himself, "I'm a tweet wittow biwd in a diwded cage; Tweety'th my name but I don't know my age. I don't have to wuwy and dat is dat; I'm tafe in hewe fwom dat ol' putty tat." (Translation: "I'm a sweet little bird in a gilded cage...") Aside from this speech challenge, Tweety's voice (and a fair amount of his attitude) is similar to that of Bugs Bunny, rendered as a child (in The Old Grey Hare, Bugs' infant voice was very similar to Tweety's normal voice), which was achieved by speeding up Mel Blanc's voice recordings of Tweety Bird.

3939-3940. Bugs Bunny and Daffy Duck McDonalds Happy Meal

Bugs Bunny is an American animated character created in 1938 at Leon Schlesinger Productions, later Warner Bros. Cartoons. Bugs is an anthropomorphic gray hare or rabbit and is famous for his flippant, insouciant personality, a pronounced New York accent, and his portrayal as a trickster. He has primarily appeared in animated cartoons, most notably the Looney Tunes and Merrie Melodies series of theatrical short films. His popularity there led to his becoming a corporate mascot of the Warner Bros. company. Bugs has appeared in more films than any other cartoon character and is the ninth most portrayed film personality in the world. According to Bugs Bunny: 50 Years and Only One Grey Hare, Bugs was born on July 27, 1940 in Brooklyn, New York in a warren under Ebbets Field, home of the Brooklyn Dodgers. In reality, he was created by many animators and staff, including Tex Avery, who directed A Wild Hare, Bugs' debut role, and Robert McKimson, who created the definitive "Bugs Bunny" character design. According to Mel Blanc, the character's original voice actor, Bugs has a Flatbush accent. Bugs has had numerous catchphrases, the most prominent being a casual "Eh... What's up, doc?", usually said while chewing a carrot. A rabbit with some of the personality of Bugs, though looking very different, first appears in the cartoon short Porky's Hare Hunt, released on April 30, 1938. Co-directed by Ben "Bugs" Hardaway and an uncredited Cal Dalton (who was responsible for the initial design of the rabbit), this short has an almost identical plot to Tex Avery's 1937 cartoon Porky's Duck Hunt, which had introduced Daffy Duck. Porky Pig is again cast as a hunter tracking a silly prey less interested in escape than in driving his pursuer insane. The latter short replaces the little black duck with a small white rabbit. The rabbit introduces himself with the odd expression "Jiggers, fellers", and Mel Blanc gave the character a voice and laugh almost like that he would later use for Woody Woodpecker. This cartoon also first uses the famous Groucho Marx line, "Of course you realize, this means war!" This rabbit was so popular with its audience that the Schlesinger staff decided to use it again. The rabbit appears again in 1939's Prest-O Change-O, directed by Chuck Jones, where he is the pet rabbit of unseen character Sham-Fu the Magician. Two dogs, fleeing the local dogcatcher, enter his absent master's house. The rabbit harasses them, but is ultimately bested by the bigger of the two dogs. His third appearance is in another 1939 cartoon, Hare-um Scare-um, directed by Dalton and Hardaway. This short, the first where he is depicted as a gray bunny instead of a white one, is also notable for the rabbit's first singing role. Charlie Thorson, lead animator on the short, gave the character a name. He had written "Bugs' Bunny" on the model sheet that he drew for Hardaway. In promotional material for the short, including a surviving 1939 presskit, the name on the model sheet was altered to become the rabbit's own name: "Bugs" Bunny (quotation marks only used at the very beginning). In his later years, Mel Blanc stated that a proposed name was "Happy Rabbit." Oddly, "Happy" was only used in reference to Bugs Hardaway. In the cartoon Hare-um Scare-um, a newspaper headline reads, "Happy Hardaway". In Chuck Jones' Elmer's Candid Camera Happy first meets Elmer Fudd. This rabbit looks more like the present-day Bugs, taller and with a similar face. However, this rabbit, speaks with a rural drawl. The early version of Elmer is also different from the present-day one, much fatter and taller, although Arthur Q. Bryan's voice is the same as it would be later. In Robert Clampett's 1940 Patient Porky, a similar rabbit appears to trick the audience into thinking that 750 rabbits have been born.

Daffy Duck is an animated cartoon character produced by Warner Bros. He has appeared in cartoon series such as Looney Tunes and Merrie Melodies, where he usually has been depicted as the best friend and occasional arch-rival of Bugs Bunny. Daffy was one of the first of the new "screwball" characters that emerged in the late 1930s to replace traditional everyman characters who were more popular earlier in the decade[citation needed], such as Mickey Mouse and Popeye. Daffy starred in 133 shorts in the Golden Age, making him the third-most frequent character in the Looney Tunes/Merrie Melodies cartoons, behind Bugs Bunny's 166 appearances and Porky Pig's 159 appearances. Daffy was #14 on TV Guide's list of top 50 best cartoon characters and was featured on one of the issue's four covers as Duck Dodgers with Porky Pig and the Powerpuff Girls (all of which are Time Warner-owned characters). Daffy first appeared on April 17, 1937, in Porky's Duck Hunt, directed by Tex Avery and animated by Bob Clampett. The cartoon is a standard hunter/prey pairing for which Leon Schlesinger's studio was famous, but Daffy (barely more than an unnamed bit player in this short) was something new to moviegoers: an assertive, completely unrestrained, combative protagonist. Clampett later recalled: "At that time, audiences weren't accustomed to seeing a cartoon character do these things. And so, when it hit the theaters it was an explosion. People would leave the theaters talking about this daffy duck." This early Daffy is less anthropomorphic and resembles a "normal" duck. In fact, the only aspects of the character that have remained consistent through the years are his voice characterization by Mel Blanc and his black feathers with a white neck ring. Blanc's characterization of Daffy holds the world record for the longest characterization of one animated character by his or her original actor: 52 years. The origin of Daffy's voice is a matter of some debate. One often-repeated "official" story is that it was modeled after producer Schlesinger's tendency to lisp. However, in Mel Blanc's autobiography, That's Not All Folks!, he contradicts that conventional belief, writing, "It seemed to me that such an extended mandible would hinder his speech, particularly on words containing an s sound. Thus 'despicable' became 'desthpicable.'" Daffy's slobbery, exaggerated lisp was developed over time, and it is barely noticeable in the early cartoons. In "Daffy Duck & Egghead", Daffy does not lisp at all except in the separately drawn set-piece of Daffy singing "The Merry-Go-Round Broke Down" in which just a slight lisp can be heard. Daffy has no official middle name, but he has sometimes been given a "joke" middle name specific to the plot of a cartoon. In "The Scarlet Pumpernickel" (1949), he calls himself "Daffy Dumas Duck" as the writer of a swashbuckling script, a nod to Alexandre Dumas. Also, in the Baby Looney Tunes episode "The Tattletale", Granny addresses Daffy as "Daffy Horacio Tiberius Duck". In The Looney Tunes Show (2011), the joke middle names "Armando" and "Sheldon" are used.

3783. Daffy Duck

Daffy appears in later cartoons like a piano duel with fellow fowl Donald Duck (from the rival Walt Disney Company) in the 1988 Disney film Who Framed Roger Rabbit, as both are playing Hungarian Rhapsody No. 2. In 1987, to celebrate Daffy's 50th anniversary, Warner Bros. released "The Duxorcist" as its first theatrical Looney Tunes short in two decades. Daffy Duck also appeared in several feature-film compilations, including two films centering on Daffy. The first was released in 1983, Daffy Duck's Fantastic Island; the second came in 1988, Daffy Duck's Quackbusters, which is considered one of the Looney Tunes' best compilation films and featured another new theatrical short, "The Night of the Living Duck". Daffy has also had major roles in films such as Space Jam in 1996 and Looney Tunes: Back in Action in 2003. The latter film does much to flesh out his character, even going so far as to cast a sympathetic light on Daffy's glory-seeking ways in one scene, where he complains that he works tirelessly without achieving what Bugs does without even trying. That same year, Warner Bros. cast him in a brand-new Duck Dodgers series. (It should be stressed that in this show, Duck Dodgers actually is Daffy Duck due to him being frozen in suspended animation in some unknown incident.) He had a cameo appearance in the Sylvester and Tweety Mysteries episode "When Granny Ruled the Earth", first airing on March 27, 1999. Daffy has also been featured in several webtoons, which can be viewed online. In the television series Tiny Toon Adventures, Daffy is a teacher at Acme Looniversity, where he is the hero and mentor of student Plucky Duck. Daffy is shown as a baby in the Baby Looney Tunes show, and makes occasional cameos on Animaniacs and Histeria! (TV series). In the show Loonatics Unleashed, his descendant is Danger Duck (voiced by Jason Marsden), who is also lame and unpopular to his teammates. In the majority of these appearances, the selfish, neurotic, and spotlight-hungry Daffy characterized by Chuck Jones is the common version. More recently, Daffy has been given larger roles in more recent Looney Tunes films and series. Following Looney Tunes: Back in Action, Warner Bros. has slowly moved the spotlight away from Bugs and more towards Daffy, as shown in the 2006 video release Bah, Humduck! A Looney Tunes Christmas, where Daffy plays the lead, while Bugs Bunny appears in a supporting role. However, more recent merchandise of the duck as well as that featured on the official website have been shown to incorporate elements of the zanier, more light-hearted Daffy of the 1940s. Producer Larry Doyle noted that recent theatrical cartoons were planned that would portray a more diverse Daffy closer to that of Robert McKimson's design; however, due to the box-office failure of Looney Tunes: Back in Action, these new films ceased production. Daffy returned to Cartoon Network in The Looney Tunes Show, voiced by Jeff Bergman[citation needed]. His characterization here seems to incorporate some elements of Clampett's and Jones' designs while giving him an overall cheery if dimwitted personality. In the show, he has moved out of the forest and shares Bugs's house with him. Unlike Bugs and their neighbors, Daffy has no way of earning money and relies on Bugs for food and shelter. He has tried on numerous occasions to get rich quick, but ended up failing repeatedly. Daffy's one possession he is proud of is his paper-mache parade float, constructed on top of a minivan, which is his main means of transportation. It was destroyed by a car wash incident, and Daffy sought to replace it with a yacht by tricking Porky into giving him the expensive loan, but his less-than-stellar boating skills ended that ambition. His parade float is repaired shortly after. While Daffy's greed and jealousy of Bugs remains, it appears to be less antagonistic in this show. Daffy starred in the 3-D short Daffy's Rhapsody with Elmer Fudd that was originally set to premiere before Happy Feet Two but instead it debuted prior to Journey 2: The Mysterious Island. The short features Daffy and Elmer in the first CG or 3-D depiction of these specific Looney Tunes characters. According to Matthew O’Callaghan who directed the short, the audio comes from a 1950s recording for a children's album.

3771. Wile E. Coyote

Wile E. Coyote (also known simply as "The Coyote") and The Road Runner are a duo of cartoon characters from a series of Looney Tunes and Merrie Melodies cartoons. The characters (a coyote and Greater Roadrunner) were created by animation director Chuck Jones in 1948 for Warner Bros., while the template for their adventures was the work of writer Michael Maltese. The characters star in a long-running series of theatrical cartoon shorts (the first 16 of which were written by Maltese) and occasional made-for-television cartoons. In each episode, instead of animal senses and cunning, Wile E. Coyote uses absurdly complex contraptions (sometimes in the manner of Rube Goldberg) and elaborate plans to pursue his quarry. The Coyote appears separately as an occasional antagonist of Bugs Bunny in five shorts from 1952 to 1963: Operation: Rabbit, To Hare Is Human, Rabbit's Feat, Compressed Hare, and Hare-Breadth Hurry. While he is generally silent in the Coyote-Road Runner shorts, he speaks with a refined accent in these solo outings (except for Hare-Breadth Hurry), introducing himself as "Wile E. Coyote — super genius", voiced with an upper-class, cultured English accent by Mel Blanc. The Road Runner vocalizes only with a signature sound, "Beep, Beep", recorded by Paul Julian, and an occasional "popping-cork" tongue noise. To date, 48 cartoons have been made featuring these characters (including the three CGI shorts), the majority by Chuck Jones. Jones based the Coyote on Mark Twain's book Roughing It, in which Twain described the coyote as "a long, slim, sick and sorry-looking skeleton" that is "a living, breathing allegory of Want. He is always hungry." Jones said he created the Coyote-Road Runner cartoons as a parody of traditional "cat and mouse" cartoons such as Tom and Jerry, which series Jones would work on as a director later in his career. The Coyote's name of Wile E. is a play on the word "wily." The "E" was said to stand for Ethelbert in one issue of a Looney Tunes comic book, but its writer hadn't intended it to be canon. The Coyote's surname is routinely pronounced with a long "e" (/kaɪˈoʊtiː/ ky-oh-tee), but in one cartoon short, To Hare Is Human, Wile is heard pronouncing it with a diphthong (/kaɪˈoʊteɪ/ ky-oh-tay). Early model sheets for the character prior to his initial appearance (in Fast and Furry-ous) identified him as "Don Coyote", a play on Don Quixote.

3595. Lola Bunny

Lola Bunny is a Looney Tunes cartoon character portrayed as an anthropomorphic female rabbit. According to Kevin Sandler in Reading the Rabbit: Explorations in Warner Bros. Animation, she was created as "female merchandising counterpart" to Bugs Bunny and first appeared as his girlfriend in the 1996 cartoon Space Jam. In Space Jam, she has tan fur, blonde bangs, and wears a purple rubber band on both ears like a ponytail. She has aqua colored eyes. Lola is voiced by Kath Soucie in her first appearance (in the 1996 live-action/animated film Space Jam) Lola's basketball skills get her a spot on the Toon Squad, in which the Looney Tunes characters battle the villainous Monstars for their freedom, with help from Michael Jordan. Although she initially turned down Bugs' advances, her feelings shifted to affection after he saved her from a belly-flopping Monstar, getting himself painfully squashed in the process (showing that he was willing to put himself in harm's way for her and genuinely cared for her). Acting on these feelings, she kissed him and near the film's end, becomes his girlfriend. Lola's personality is a combination of the Hawksian woman, tomboy and femme fatale archetypes. She is a tough talking, no-nonsense woman (as displayed by her reactions to being called the term "doll," which she finds to be derogatory and highly offensive) who is extremely independent and self reliant. She is highly athletic (easily the best player after Michael Jordan himself). She is also incredibly seductive in her behaviour, quite capable of easily charming men around her (as displayed with the other Looney Tunes in her first appearance in the movie but with none more so than Bugs Bunny himself, her love interest and boyfriend). The Looney Tunes Show Lola also appears in The Looney Tunes Show, voiced by Kristen Wiig. Compared to her "trophy girl" personality in Space Jam, her personality differs greatly in this show, along the lines of the "Manic Pixie Dream Girl" archetype, and is less intelligent and clueless to her surroundings. Her parents also appear along with her dad (who is completely different from that of the disapproving dad in "Dating Dos and Don'ts") voiced by John O'Hurley and her mother voiced by Grey DeLisle. Lola is Bugs' bubbly, kooky girlfriend, and she rapidly talks a mile a minute, whether anybody else is listening or not. Lola's appearance also changed dramatically as well. In Space Jam, she had a very detailed figure, with blue eyes, and wore sportswear. In The Looney Tunes Show, her design was greatly simplified, including losing the blue iris of her eyes. Other cartoons and games An infant version of her, voiced by Britt McKillip, is among the regular characters of Baby Looney Tunes. Like her older counterpart, she has tomboyish traits (less so than her older counterpart, but more so than Melissa Duck and Petunia Pig) and an affinity for basketball. She is also much more child like and emotional in her personality. Other appearances include her role as the reporter in the direct-to-video film Tweety's High-Flying Adventure. She also appeared as a playable character in the games Bugs Bunny & Lola Bunny: Operation Carrot Patch, released in 1998 and Looney Tunes Racing, released in 2000. In the action comedy Loonatics Unleashed, her descendant is Lexi Bunny who seems to be the second in command of the Loonatics team after Ace Bunny (the descendant of Bugs). She seems to have inherited her ancestor's athletic prowess and general witty and no-nonsense attitude along with her seductive charm. Minor appearances Following Space Jam, Lola has regularly appeared in solo stories in the monthly Looney Tunes comic published by DC Comics. Lola Bunny was also featured in a webtoon on looneytunes.com, entitled "Dating Dos and Don'ts." During this webtoon, in the form of a fifties educational film, Bugs Bunny attempts to take Lola out on a date, but Elmer Fudd and Lola's disapproving dad (voiced by Tom Kenny) hinder him.